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Iraq in fragments

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005		20150409153736.0
010	0	\|b2 DVD\|dNT4200元
100		\|a20090415d2007 y0chiy09 e
101	0	\|aeng\|ceng
102		\|aus
115		\|ac225bahoxbx cbxxb
200	1	\|aIraq in fragments\|fTypecast Pictures presents a Daylight Factory production\|gdirector, James Longley ; producers, John Sinno, James Longley. Camera/sound/music, James Longley ; editors, Billy McMillin, James Longley, Fiona Otway.
204	0	\|avideorecording
210		\|a[Seattle, Wash.]\|cTypecast Releasing\|d2007, 2006
215	0	\|a2 videodiscs (225 min.)\|csd., col.\|d4 3/4 in.
300		\|aTitle from container.
300		\|aArabic; Arabic and Kurdish, with English, French, German, Japanese and Spanish subtitles
300		\|aOriginally produced as a motion picture in 2006
300		\|aSpecial features: optional director's commentary
327	1	\|aDisc 1. Iraq in fragments (94 min.) -- disc 2. Sari's mother (21 min.) -- Iraq before the war (14 min.) -- An interview with James Longley (20 min.) -- Independent Film & Television College (IFTC) shorts: Hiwar (12 min.); Let the show begin (15 min.); Omar is my friend (15 min.); Baghdad days (34 min.).
330		\|aDocumentary in three parts. Offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the U.S. presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
517	1	\|aSari's mother\|zeng
517	1	\|aIraq before the war\|zeng
517	1	\|aHiwar\|zeng
517	1	\|aLet the show begin\|zeng
517	1	\|aOmar is my friend\|zeng
517	1	\|aBaghdad days\|zeng
606		\|aIraq War, 2003-
606		\|aPostwar reconstruction\|yIraq
606		\|aInsurgency\|yIraq
606		\|aConuterinsurgency\|yIraq
607		\|aIraq\|xSocial conditions\|z21st century
607		\|aIraq\|xPolitics and government\|z2003-
607		\|aUnited States\|xForeign relations\|z2001-2009
702	1	\|aLongley\|bJames
702	1	\|aSinno\|bJohn
710	02	\|aTypecast Films (Firm)
712	02	\|aDaylight Factory
805		\|sVDR\|r420000\|aKPI\|bKPI\|c354676\|d956.70443 I65\|n0971117811\|pEDVD
806		\|bbb

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An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied.
American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds. Winner of Best Director, Best Cinematography and Best Editing awards in the 2006 Sundance Film Festival documentary competition, the film was also awarded the Grand Jury Prize at the 2006 Full Frame Documentary Film Festival, was named Best Documentary at the Chicago International Film Festival, and was nominated for Best Documentary at the 2007 Academy Awards.

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Iraq in fragments

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